Harp Guitars Make Heavenly Return

If you're feeling a little old-fashioned playing your French theorbo or Italion chittarone, try updating to the harp guitar.

In 1798 English composer Edward Light created the first instrument actually called a harp guitar, but those continental ancestors dated back to the 16th century, according to an article in the May 2003 issue of Acoustic Guitar. These hybrid instruments all have fretted necks for playing like a lute or guitar, but also sport large, unfretted sub-bass strings supported by a harp-like frame.

And they are heavenly visions. During the past two centuries numerous builders have experimented with various forms and shapes for these instruments. Despite a heyday in the coffeehouses of Vienna in the late 19th century, the harp guitar never caught on. They were expensive, and the music just got too complex for amateurs to play. (The masses took up the classical guitar instead.)

The late guitar genius Michael Hedges recorded a few pieces using harp guitar in the 1980s and 1990s, and other contemporary players have rediscovered the magic of the instrument. Some instrument makers, too, have taken up the challenge and have begun exploring creative possibilities of the instrument, once mined by great builders such as Schrammel and Knutsen.

Read the Acoustic Guitar article [May 2003 issue not yet online]

Hear how the instrument sounds on contemporary harp guitarist John Doan's recordings

Explore the work of William Eaton, who designs and builds the harp guitars (and other exotic creations, pictured) that he plays

Visit the Chris Knutsen Archives, a wonderful online museum created by Gregg Miner to showcase the diverse work of that master turn-of-the-century builder . Knutsen's work included many harp guitars, as well as other innovative & fantastic instruments. Great pictures, history and sound files.

Learn about the Harp Guitar Gathering to take place on Nov. 1-2, 2003 in Williamsbug VA